MILLITZER STUDIOS
The Millitzer Studio & Gallery (2013) is a vibrant space showcasing up-and-coming local artists.
CURRENT ARTISTS:
BRANDON ANSCHULTZ | KATIE MILLITZER | JUAN CHAVEZ
Artists
For years, the Millitzer Studio and Gallery exhibited many of St. Louis's best-emerging talent. These are some of the artists who have exhibited at the Millitzer or held studio space in the building.‣ Rachel Youn
‣ Cole Lu
‣ Jen McKnight
‣ Albert Yowshien Kuo
‣ Mariana Parisca
‣ Chloe West
‣ Cameron Granger
‣ Jen Everett
‣ Carla Steppan
‣ Dominic Chambers
‣ Kat Reynolds
‣ Kahlil Irving
‣ Ariadne Fish
‣ Sheena Rose
‣ Lauren Marx
‣ Tuan Nguyen
‣ Steph Zimmerman
‣ Ryan Doyle
‣ Evan Smith
‣ lyndon barrois Jr.
‣ Addoley Dzegede
‣ Jordan McGirk
‣ Natalie Baldeon
‣ Metra Mitchell
‣ Edo Rosenblith
‣ Samantha Haring
‣ JaNae Contag
‣ Nick Schleicher
‣ Jacob Muldowney
‣ Jennifer Baker
‣ Amanda Elise Bowles
‣ Adrian Cox
‣ Catalina Ouyang
‣ Katie Millitzer
Press
Articles featuring the Millitzer Studio & Gallery.Artist Catalina Ouyang explores Chinese-American immigrant experience in new exhibitCatalina Ouyang's sculptures are an amalgam of unexpected materials: a raw egg soaked in white vinegar, marble, fake bones, a printed copy of Italo Calvino's book Invisible Cities and basketball shorts.Ouyang uses the objects to examine her Chinese-American identity and challenge social pressures placed on immigrants to conform to North American norms. She specifically aims to provoke questions about how society asks immigrants to assimilate into white culture.She wants people to consider what for her is a consistent dilemma: "How to contend with what I call the aspirational fantasy of whiteness in what I think persists as an imperialist and colonialist power structure." Read more.14 Emerging Women Artists to Watch in 2017Catalina Ouyang is interested, according to her artist's statement, in "where my experience as a Chinese-American woman meshes with histories of cultural and sexual colonization, [and] where my family's transplanted history aligns with a larger narrative of displacement and lost communication." All that is at the forefront of "an elegy for Marco," her current solo at Millitzer Gallery in St. Louis, which examines the history of colonialism in China through the lens of Marco Polo. Read more.Kahlil Irving's sculptures protest racism, call for more black voices in artThat urge to celebrate while advancing culture also informed his curation of the show "Their Way," which runs through this weekend at The Millitzer Gallery in the Fox Park neighborhood. The show focuses on photographic representations of the body and how it can vacillate between strength and vulnerability. All the exhibiting artists are women. In promotional materials, the gallery notes that the show poses important questions: "We all have bodies, which lens do we see them through? What is available or unattainable? How do we view the body in and out of our control?" Read more.Envisioning a World Where White Men Are Pedestals for SculpturesCatalina Ouyang is saying a long goodbye to a lifetime of Eurocentric, patriarchal culture in her latest exhibition, an elegy for Marco, on view now at Millitzer Gallery. The exhibition addresses "Marco" as one might use a distasteful pseudonym for an ex-lover, while also specifically referring to Marco Polo, one of the earliest European travelers to explore China, India, and Japan, and an emblem of white supremacy as it relates to East Asian identity.After Museum Controversy, St. Louis Artists Focus on Community BuildingOn the same weekend, the Millitzer Studio and Gallery presented Their Way, a group photography show curated by local artist of color Kahlil Irving that dealt with the representation of bodies. One of the organizers of our community meetings, Katherine Simóne Reynolds, was exhibiting in this show; thus, supporting this gallery, this artist, and this curator seemed more relevant for inciting change.Cut & Paste podcast: Talkin' baseball, art and racism with artist Ryan DoyleMake no mistake. As a white man, artist Ryan Doyle does not try to "explain" racism to anyone. Doyle's work is a way to explore his own experiences and the racist environment we all live in. Take his recent work using baseball caps. It features molds of the caps' home team letters, spelling out "spookd."He first heard the reference while growing up in Florissant in the 1990s, about a noise on the porch. Later, the memory made him question the meaning of the word, and indeed, what's behind much of what he took in about race as a child. In our latest Cut & Paste podcast, we talked with Doyle about his use of America's favorite sport to grapple with our country's most sinister side.
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ADDRESS: 3103 PESTALOZZI, ST. LOUIS, MO 63118
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